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- Barry harris jazz workshop cd full#
- Barry harris jazz workshop cd software#
- Barry harris jazz workshop cd plus#
Barry harris jazz workshop cd full#
So this rule suggests that we can use this dim7 superimposition idea over minor chords as well as major! You can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources - if it's not there, search for the interval map "t, s, t, t, s, s, t, s" and you'll find it.
Barry harris jazz workshop cd plus#
Again we have an alternative perspective provided by a disjoint cover: the m6 arpeggio plus the same dim7 we used before. This time we can think of this as a Melodic Minor with an added #5 or b6, or as a Harmonic Minor with an added natural 6. He also very quickly moves on to another, related scale obtained by flattening the third of the scale:
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To start with, he points out that it contains the dominant 7 chord of the relative minor as well as the major keys, which makes for strong chord substitutions like E7-Am7 subbing for C6, and enables us to construct chord-scales like these (notice the different chord qualities that become available):Ĭ6 Dm7b5 Em7 FMaj7 G7 Abdim7 Am7 Bdim7 C6 So one way to think of this is "On a Maj7 type of chord, play the diminished arpeggio built on the 2, 4, #5 or 7.īeing a pianist, though, Barry shows us a bit more when he moves to thinking of it in terms of chords. You can, of course, use this on any Maj7 type of harmony as well as on chords explicitly written with a 6.
Barry harris jazz workshop cd software#
Lessons Monthly Standard Secondary Dominants Geriatric pianoist Robert Johnson Jazz for Beginners Toots Thielemans Book Reviews CD Reviews Software Reviews Goomba1s Young Pianists Gigs Stride Piano 16notes Django Reinhardt Chris Potter martial solal Jazz. Adding a note to the major scale is quite easy, of course, but it will tend to lead you to play in a scalar, stepwise way this way of thinking encourages you to see the underlying chord as the C6 arpeggio and the tension notes as the Bdim7, which is easy to find in relation to it. Has anyone purchased the barry harris workshop video If so what did you think. This is what I call a "disjoint cover" because the two parts share no common notes. However, he explains it in a quite different way, noticing that a cover of the scale is given by the C6 and Bdim7 arpeggios You can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources - if it's not there, search for the interval map "t, t, s, t, s, s, t, s" and you'll find it. You may think this is perverse, since the other way is clearly simpler, but in fact that b6 contributes a very strong Harmonic Major sound. More exotically, you could think of this as Harmonic Major with an added natural 6. The scale is in fact just a major scale with an added b6 or #5, so it's spelled like this: The video is a bit piano-focussed so I thought it might help some guitar players to have a summary from our point of view of the main idea. It produces a very cool jazz sound by a quite unexpected means. Highlights of the enthusiastic straight-ahead set (which includes three obscure but worthy originals by the pianist) include "Is You Is or Is You Ain't My Baby," "Moose the Mooche" and "Woody'N You.Here's a great excerpt from a Barry Harris workshop where he introduces an interesting diminished concept, which he (jokingly) calls his "personal scale". Teamed up with bassist Sam Jones and drummer Louis Hayes, this live CD reissue (which adds three alternate takes to the original LP program) is an excellent example of Harris' playing. Pianist Barry Harris' second recording as a leader (he led a set for Argo in 1958) finds him at the age of 30 playing in the same boppish style he would have throughout his career. Recording information: The Jazz Workshop, San Francisco, CA (/). Personnel: Barry Harris (piano) Louis Hayes (drums). Digitally remastered by Phil De Lancie (1992, Fantasy Studios, Berkeley, California). He has received the Living Jazz Legacy award from the Mid- Atlantic Arts Association, and an American Jazz Masters Fellowship from the National Endowment for the Arts. Harris is the recipient of an Honorary Doctorate from Northwestern University. Recorded live at The Jazz Workshop, San Francisco, California on May 15 & 16, 1960. Harris is an Internationally renowned Jazz Pianist, Composer and Teacher. Personnel: Barry Harris (piano) Sam Jones (bass) Louis Hayes (drums). Barry Harris Jim MacDonald L Chilton Howard Rees Bop City Productions.